Conceptual Statement
This installation interprets the skin as a mediating interface: it is both the boundary of the body and an entry point for information flowing into technological systems. Subtle fluctuations in brightness, moisture, and elasticity are translated into data, which then return to the space in the form of light and shadow. This cyclical process folds bodily experience and image experience into one another.Here, the image is no longer a representation of the body, but rather a generative action. The viewer's physiological state is translated into a visible form within the space, thereby transforming the skin into a "writable surface." The light and shadow touch not only the fabric but also the very boundaries of the viewer's perception.This mechanism reveals the interdependence of perception and technology: the texture of the skin requires technological externalization to become apparent, while the generated imagery must return to the body to be truly experienced. Thus, the body, data, and image form a cyclical relational network. The work's concern lies not in the demonstration of technology itself, but in the questions of perception it provokes: When the skin functions as both a physiological interface and a media interface, how do we reconceptualize the relationship between "vision" and "touch" as the datafication of the body becomes possible?
